What was your inspiration?
Traditional Hmong Costumes and High Fashion.

Do your designs have any functions/unique aspects to it?
Hmong Reinvented is a fashion line that represents and bridges the gap between being Hmong and being American. In my designs I use Hmong embroidery with western silhouettes. I want to make wearing Hmong clothes fashionable. My motto is: Forget about the layers, the heavy money belts and bags. Keep it simple and chic.

How long does it take you to finish one piece?
Depending on how complicated the garment can get and how much time I have to work on it, it could take a few days up to a month.

Who would you want to wear this piece?
I think “tweens” to adults would really appreciate wearing my designs because of the stylish silhouettes, new interesting lines in design and the incorporation of traditional Hmong elements. I want to cater to the Hmong community, as well as branch out to the mainstream market.

How much does it cost?
Full outfits can range from $150 – $300 depending on design patterns and materials.

Where can we get it?
I am currently working on a website, but you can always look at my work on lylena.deviantart.com/. If you see anything you like, just leave me a note and I’ll get back to you as soon as I can. I am always working on new designs and orders for other people. Please understand I make everything myself so it can take a month or more to get a garment to you.

“You know that time of the year when your mom pulls out the luggage of clothes she’s packed away for a year? You know what I’m talking about, the heavy luggage that you secretly hoped had miraculously disappeared in the closet or under the bed? Yes, it’s Hmong New Year and you feel obligated to wear the heavy, burdensome clothes again. We’ve all been there, it doesn’t matter if you’re Green, White, Striped, Black Hmong, etc. We all go through the same process –the hours of getting everyone dressed and the madness of the mess afterwards. Wouldn’t it just be easier if we could have something simple and fashionable?  To answer that question, I created Hmong Reinvented… my fashion line of traditional Hmong costumes with a western touch. In keeping with tradition, I left as much of the original silhouette as I could, altering the neckline, the sleeves, the skirt and the layers as I went. In the end we have garments that are clearly Hmong, but very sexy and easy to wear. Not only have I updated traditional Hmong costumes, but I am also putting a little bit of Hmong into ready-to wear garments”.

Where did you grow up and what school did you attend?
Fresno, California / University of California, Davis (Bachelor of Science in Textiles and Costumes)

What inspired you to get into fashion?
For as long as I can remember, I’ve been drawing and dancing. I grew up drawing on my mom’s magazines. Going to traditional Hmong dance practice was mandatory since my mom was the dance teacher. Dance performances were the worst –I always threw up. I never figured out if I was nervous or my layers were smoldering me. In high school, I had enough with tradition and started a hip-hop dance group where I first combined my passion for drawing and dancing by designing our dance costumes. Then, going away for college was great! I got to discover myself and found a family away from home with the UC Davis Hmong Student Union, a Hmong club on campus. Being with them brought me closer to my roots. I went away for college to get into medical school, but came out with a BS in Costume and Textiles. I took up traditional Hmong dancing again and taught a few girls in the club. Most of us were away from home and couldn’t get traditional Hmong costumes, plus our parents weren’t too trusting of a group of teens with all those money bags. This was the first time I started to redesign Hmong costumes as well as try a hand at sewing. Once I started sewing my own designs, I couldn’t stop, I had found something I was incredibly passionate about –something I could see myself doing day in and day out and would never get tired of. I quickly got into the Design program at UC Davis and since then I have never turned back. My professors were wonderfully supportive. During my last two years in college, my designs were more theatrical and experimental. However, I didn’t really explore Hmong clothing again until a professor really encouraged me to do it for my senior project. I showcased four Hmong Reinvented garments that year for the Senior Fashion Show. It was incredible seeing my creations on the runway. Since then, I have continued to sew for family members and I’m slowly getting myself noticed in a few online communities. My largest commission so far has been for the “Nkauj Hmoob Yaj Yuam” dance group here in Sacramento, California.

What does it mean to be Hmong to you?
Being Hmong is being proud of your people, embracing your culture, speaking the language, learning the traditions and never forgetting who you are or trying to hide from it.

What are your goals/ aspirations?
My short-term goal is to have a booth at the Hmong New Year next year to test the waters and if all goes well, to open up a store of my own. I would love to be a high fashion designer and a common household name, but until then, I want to come out with something new and daring that hopefully the Hmong will appreciate and support.

What is Delicious Venom?
Delicious Venom –the cure for venom is venom, it kinda cancels out poison. Growing up in a venomous neighborhood, it’s like, now that we know what was going on; we know the right route, we’re coming back as the positive venom to cancel out the bad venom. That’s why we called ourselves — my older brother Tou Saiko and me, Delicious Venom

Where were you born?
I was born in providence Rhode Island, my brother was born in a refugee camp; we came here around 1979. I have another brother who was born a year before me, and my sister, who was born after me, in Syracuse. They are the total opposites of me and Tou. As far as personalities go, the things we are into, are different, but we get along pretty well.

Where did you grow up?
We lived in New York for about 10 years, and then we moved here to St, Paul, MN. In New York, we lived in Syracuse, the forgotten city, all of these abandoned homes, no one cared about, it was just a crumbling city, lots of corruption, we didn’t realize how bad it was when we were little, until now.

Why Hmong history & Hip Hop?
For me, first of all, Hip Hop has such a huge influence on pretty much the whole globe, but a lot of people are misinformed as to what it is: Hip Hop is like a culture that started out in pretty much, the poorest neighborhoods, in New York City, where everyone was oppressed. The type of neighborhood we grew up in, that was pretty much the only type of music that hit home with me, you can listen to music about being mad or being sad, but Hip Hop, you know they talk about things that are happening currently, in the neighborhoods.

What’s a typical day like for you?
Pretty busy, tonight we have a show at Concordia University, afterwards it’s straight to the Turf Club and then Saturday we’ll be performing at the Lucy’s Moonlight Sports Bar. In between all that I got all these other things goin’ on like school, and trying to get this job [he's fumbling to find an important document].

What’s your plan for the future?
I really want to teach Hmong History and Hip Hop history one day, at first I wanted to do it inside of a school, but I don’t know, I guess we’ll see if there’s any where else I can teach it.

Who were some of your friends growing up?
In New York, the only Hmong people we knew were our cousins, mostly my dad’s side. My mom’s side lived in MN. Everyone else was just white, or black, Latino kids. Back then I didn’t really know how to differentiate races, some of them were just my friends, I didn’t really see them as black, white or significantly different from me, they were just my friends, it didn’t matter. Now I’m more aware of the differences.

How did your family, particularly your parent’s feel about you and your brother rapping?
They weren’t really supportive at first. They used to tease us a lot, like my dad would always imitate us, there is a song from the 80s called, Whip it. He would always say that line “It’s not to late to whip it, whip it good” to us over and over every time he heard us rapping. It was pretty funny.

Who wrote 30 Year Secret?
My brother Tou, Doua, a guest rapper, and me. We each wrote our own verses. The inspiration was from a group from Minnesota called H3 (Hmong Hlub Hmong). At that time, they were going around doing rallies and informing the community about the situation in Laos, ongoing war with the communist Laos and the Hmong people living in the jungle, the genocides of some of the Hmong victims. They opened a lot of eyes, including ours. They were doing a candle light vigil where they showed video footages of what was going on in Laos. It inspired us to do something about it. If this is really happening, people need to know. This can’t be just be pushed aside. We were trying to think of a way as to how we could make other people see the problems going on, without hurting anyone or doing
anything violent. What could we do with our abilities? We looked at each other and said, “Alright we’re all musicians, artists, and there is a big Hmong artist community in the country. We’re all disconnected from each other, but how about we do a collaboration of all Hmong artists out there, and let’s get together and write songs about the situation, raise awareness; get people to start talking about it.”

So we worked with H3, and got them to donate DVD’s so we could do a callout, to artists who wanted to help with the project, and anyone who was interested, we mailed them each a DVD of the presentation, a documentary of what was going on in Laos, to educate them, and hopefully inspire them. We did that, then in MN, we did a lot of promoting, telling people about it, pretty much, it came together a lot better than we ever imagined. This became known as the H Project.

What did you want people to take back from listening to your music?
When I was writing, it was just mainly to spark up a conversation, move somebody, to make them angry, sad or just to feel somethin’ about it, you know… hopefully, it will lead them to something good.

What were some reactions?
People really responded well to the song, some even came up to us and told us that they cried listening to it.

What kind of feeling does that give you?
It makes me feel good because it lets me know that, we still do, there is still Hmong people out there who care about Hmong people. It makes me realize how close we really are even though we are all far apart. It gives me a great feeling that there’s still hope
out there.

When was the first performance?
In 1999, when I was 17 and Tou was 21. Our first performance was infront of a Hmong audience at a party in MN. It was kinda crazy. We were doing all these crazy things on stage and I think we kinda scared ‘em. A lot of our songs, when we first started out we didn’t have a studio, a mic or speakers, or anything, we started performing before we ever had any equipment. Our first song was just a performance song; we never recorded it. We always rapped on the mic live. We had a friend who did shows, and he liked our style, so he wanted us to go out there, and so the majority of our songs became performance songs. A lot of it is about social issues, reflecting our feelings, and the way we feel about life, and how we grew up.

Who usually comes to the shows?
The majority is the younger generation, but we have a pretty good number of older generation that show up as well. We had a performance in WI and it was pretty much just senior citizens, and they really felt for our music, and praised us in the end. We don’t have a limit to our audience because even if they don’t like it, maybe they can respect or like it for what it is.

Do you write poetry?
We started writing poetry before we started rapping, when I was in 4th or 5th grade, and my brother was in Junior High.

What influenced you?
It was my brother, when he started getting into it, I was getting into it.

Why did you pick Hip-Hop and Rapping over Country, Rock or Hmong music?
Well, my brother and I are definitely working towards writing Hmong music. What happened during the Vietnam War, devastated our parents. Basically, they thought their lives were done, everything that had worked for was gone. So, when we came here to America and they had heard that this was the land of opportunity and you won’t make it if you don’t know English, they taught us the basics of Hmong, just enough to understand people and communicate, and then rest was just English. Even in preschool, they had these books where they sat down with us, played tapes while we read along with the tapes. So they got us on a good start with English. Even in our English classes, we were kinda ahead of the American kids, and so that’s why our English is such a big part of our music. It’s been a big part of us growing up.

How do you spend your weekends besides performing?
I try to hang out with my friends but I barely ever see them, almost every time we have a date set to hang out, I always say I wanna go but usually something always comes up. It’s more like catching up days, everything I pushed back during the week, I just catch up on it, like homework, but the majority of it has to do with music; organizing shows, there’s always so much stuff going on with our music. If we ever say we have nothing to do, we’re lying. Because we have all these shows that are pending, a lot of things we still have to do as far as getting things done.

Where are these shows at usually?
Everywhere. Clubs, community centers, bars, school, elementary, middle, high school, universities, everywhere you can think of. We don’t have a specific audience that we target, we make our music, and if you want us to be there, we’ll perform infront of any type of audience, any race, age. Basically,anyone who wants to listen.

Who else is a musician in your family?
My older brother Sy and my Dad used to be in a band called Demix. They used to play at Hmong parties, weddings, New Years. They were a really popular band; a lot of people requested them. This was way before we started rapping. It was fun, but not something that really influenced us to be in the music scene. It wasn’t our thing, but we liked it.

What do you think the future hold for you?
You know, [sigh] every couple of days, I sit here and ask me that same question. I really don’t have a def answer. I really want music to be a big part of my life. But there are so many other things I want to do in life, I do know that music will always be a part of it, just figuring out how big of a part it will be in my life, is the hard thing. If we get signed with a huge deal then we’ll def pursue music all the way, but until then, I want to keep workin’ on my other goals like learning as much as I can about the Hmong history, push as much as I can in every direction, until it takes off.

Do you want to travel somewhere?
Traveling is def on our agenda, especially Laos and Thailand. We’ve discussed performing there. We’d love to do that. There really is no limit as to where we will perform.

Do you think you’ll ever get married?
Laughs. Well. [Pause] Well, I’m def not in a rush to get married, but if I find someone, like me, and our lives are compatible, and our personalities click, and, you know [pause] everything works out then, yeah. I’m not saying this isn’t ever gonna happen.

This article was published in the July 2007 issue of 18XEEM

The Festival is a celebration of culture for all ages and has become a tradition of sorts for the neighborhood and for the growing Hmong community in the Twin Cities. Last year, there was an estimated 3,000 people that attended. We only anticipate even more people this year.

“Where do the Hmong come from?” “Do the Hmong have a country of their own?” These are questions that are commonly asked of Hmong people. And, although the curiosity in these questions have a legitimate innocence to them, this notion of whether or not there is a Hmongland raises questions regarding how Hmong people are perceived both by Hmong and non-Hmong people. How does a population without a recognized country identify itself? How do residents of a displaced community respond to definition inside and outside of the community? These questions force an inward exploration of identity and worth for many Hmong and a world of wonderment for non-Hmong.

CHAT asks artists to consider these questions and to share how they imagine what HMONGLAND would be like. CHAT invites the community to witness HMONGLAND at the 7th Annual Hmong Arts and Music Festival on August 16, 2008.

HMONGLAND will be a celebration of the arts with original paintings and sculptures in the Visual Gallery, dance and musical performances on the Main Stage, live art and theatre, a showcase of artwork by youth at the Art Saves Us Tent, a cake decorating contest with Cakes By Fhoua, games, vendors, resources and food! Come as an artist, patron, vendor, enthusiast, tourist or resource – it’s a good time for all ages.

For more information, please contact: Kathy Mouacheupao at 651-603-6971 or kathy@aboutchat.org

CHAT is a non-profit organization with the mission to nurture and develop Hmong artists to enhance the community.